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"Ye wake in a corner and stay there hoping yer body will disappear, the thoughts smothering ye; these thoughts; but ye want to remember and face up to things, just something keeps ye from doing it, why can ye no do it; the words filling yer head: then the other words; there's something wrong; there's something far far wrong; ye're no a good man,
"Ye wake in a corner and stay there hoping yer body will disappear, the thoughts smothering ye; these thoughts; but ye want to remember and face up to things, just something keeps ye from doing it, why can ye no do it; the words filling yer head: then the other words; there's something wrong; there's something far far wrong; ye're no a good man, ye're just no a good man." From the moment Sammy wakes slumped in a park corner, stiff and sore after a two-day drinking binge and wearing another man's shoes, James Kelman's Booker Prize-winning novel How Late it Was, How Late loosens a torrent of furious stream-of-consciousness prose that never lets up. Beaten savagely by Glasgow police, the shoplifting ex-con Sammy is hauled off to jail, where he wakes to a world gone black. For the rest of the novel he stumbles around the rainy streets of Glasgow, brandishing a sawed-off mop handle and trying in vain to make sense of the nightmare his life has become. Sammy's girlfriend disappears; the police question him for a crime they won't name; the doctor refuses to admit that he's blind; and his attempts to get disability compensation founder in Kafkaesque red tape. Gritty, profane, darkly comic and steeped in both American country music and working-class Scottish vernacular, Sammy's is a voice the reader won't soon forget. --Mary Park
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