This 1992 Edgar Award winner for best fact crime is nothing short of a classic. David Simon, a police reporter for the Baltimore Sun, spent the year 1988 with three homicide squads, accompanying them through all the grim and grisly moments of their work--from first telephone call to final piece of paperwork. The picture that emerges through a masterful accumulation of details is that homicide detectives are a rare breed who seem to thrive on coffee, cigarettes, and persistence, through an endlessly exhausting parade of murder scenes. As the Washington Post writes, "We seem to have an insatiable appetite for police stories.... David Simon's entry is far and away the best, the most readable, the most reliable and relentless of them all.... An eye for the scenes of slaughter and pursuit and an ear for the cadences of cop talk, both business and banter, lend Simon's account the fascination that truth often has."
Product Description
From the creator of HBO’s The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city’s homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year’s most difficult case, the brutal rape and murder of an eleven-year-old girl.
Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.
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