Patrick McCabe hit paydirt with his third novel The Butcher Boy, shortlisted for the 1992 Booker, filmed by Neil Jordan, and acclaimed as "a masterpiece of literary ventriloquism". In his fifth, Breakfast on Pluto, also Booker-shortlisted, McCabe produces another inimitable voice to amuse and infuriate; ventriloquising perfectly the overwrought, near-hysterical style of a character whose emotional processes were cruelly halted somewhere around the fourth form, and whose tale requires English literature's highest concentration of exclamation marks. Patrick "Pussy" Brady is recording her memoirs for the mysterious Dr Terence, and it's quite some story. After randy Father Bernard gets carried away with his temporary housekeeper, a dead ringer for Mitzi Gaynor, the result is Patrick Braden, abandoned on a doorstep in a Rinso box and condemned to a foster home with the alcoholic Hairy Braden. Escape comes in fantasies of Vic Damone and the occasional glitzy frock, and eventually, inevitably, the rebaptised "Pussy" heads for life as a transvestite rent boy on Piccadilly's Meat Rack. But this is not just Pussy's story, and as hitherto-muffled paramilitary violence blows up in her face, Pussy falls apart, providing a vivid and unsettling final comment on the human price paid in 1970s Ireland. -- Alan Stewart
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