Usually when coming to the end of a book of brick-like proportions, it's good that the story is over. Not so, however, with Michel Faber's The Crimson Petal and the White, an 835 page blend of sheer enjoyment and frustration. Set in Victorian London and using postmodern techniques, the novel, I would like to think, is one of the best published this century. With the book ending the way it did, it ... read more
“Usually when coming to the end of a book of brick-like proportions, it's good that the story is over. Not so, however, with Michel Faber's The Crimson Petal and the White, an 835 page blend of sheer enjoyment and frustration. Set in Victorian London and using postmodern techniques, the novel, I would like to think, is one of the best published this century. With the book ending the way it did, it left readers the world over to guess at what happens next. And it would seem that many didn't want to guess: they wanted to know; they wanted closure.
So now, to The Apple, a meagre collection of short stories from Faber that, four years later, returns to the world of The Crimson Petal and the White. In the foreword the author refers to letters from fans from all walks of life asking wha” read more