American Rhapsody is a gleeful act of outrage, simultaneously an assault on the Clintons and a bridge-burning, tell-all Hollywood memoir in the wicked spirit of You'll Never Eat Lunch in This Town Again. Joe Eszterhas's narrative is a torrent of consciousness with no consistent sense of direction, but it all erupts from a plausible organizing principle best articulated in the chapter "Bubba in Pig Heaven": Hollywood is where Clinton really belongs. The author claims Bill watches Blazing Saddles six times a year, and says that Gennifer Flowers got him blazing by enacting a Sharon Stone-like crotch-shot scene years before Basic Instinct. When a sarcastic Clinton allegedly told a Hollywood producer that his enemies would soon be accusing him of coupling with a cow, the producer sent him Eszterhas's 1989 screenplay Sacred Cow, in which a president does just that. Eszterhas claims Spielberg dropped the film because of his friendship with Clinton. But he still thinks Clinton would be great in the role. The Lewinsky saga really should be ho-hum by now, but American Rhapsody's Evel Knievel-like leaps of free association and mad brio breathe life into it. You've never been properly introduced to Linda Tripp and Lucianne Goldberg until you've read "The Ratwoman and the Bag Lady of Sleaze," its uproarious take on the pair. American Rhapsody gives dozens of stars time in the sweaty spotlight: Matt "the Scavenger" Drudge, heroic Larry Flynt (whose threat to report Republican scandals Eszterhas credits with quashing impeachment)--almost every big political scandal victim in memory. And there are lots of Hollywood types behaving badly: Bob Dylan, Warren Beatty, Ronald Reagan, Farrah Fawcett, Sharon Stone, Robert Evans, Sly Stallone (who wanted to portray Jesus onscreen), and even Joe Eszterhas. The fantasy chapters, printed in boldface, are sometimes funny (e.g., "Kenneth W. Starr Confesses"), but mostly they're both over the top and below the belt (e.g., "Willard Comes Clean," the confessions of the president's penis). What holds your interest is the main narrative, a heady mix of showbiz gossip, personal essay, and Lester Bangs-style prose mania. --Tim Appelo
Book Description
In this hybrid of fantasy, memoir, and editorial, former Rolling Stone editor and Hollywood insider/outlaw Joe Eszterhas spares no one. He covers the Clintons, Monica Lewinsky, and Linda Tripp in Washington, D.C.; Sharon Stone, Farrah Fawcett, and David Geffen on the West Coast; and everyone involved in politics and entertainment - living or dead - in between. Combining comprehensive research with insight, honesty, and fiction, American Rhapsody is an in-your-face look at the people running this country. It is also a rollicking good tale filled with humor, tragedy, suspense, high drama, and melodrama. And, of course, it's spiced with plenty of sex. With performances by a cast of experienced actors, this romp flouts virtually every rule, joining the rich tradition of works by Norman Mailer, Jack Kerouac, Tom Wolfe, and Hunter Thompson.
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Political satirist Mark Russell pictures President Clinton being sculpted onto Mount Rushmore--"from the waist down." Eszterhas, the author of such fine screen plays as F.I.S.T. and Betrayed and such stinkers as Sliver and Showgirls, provides literary justification for Russell's vision in this farcical waist-level panorama of the Clinton years, in what could be the offspring of the mating of The Joy of Sex and Portnoy's Complaint. Readers are probably aware of the media hype surrounding this book, especially the role of Willard, the "longer than Willie" presidential phallus, which in a rousing climax reveals the true source of President Clinton's power. The author's probing analysis and extensive reading results in a novel that rings more true than many of the "nonfiction" accounts of the President and First Lady Hillary. Eszterhas and his coauthoring "Twisted Little Man" alter ego create often sidesplitting and frequently poignant dialog spoken by such characters as Richard "Night Creature" Nixon; Larry Flynt, the pornographer-in-chief who may have saved the presidency by threatening to blackmail right-wing attackers in no position to "cast the first stone"; presidential pal Vernon Jordan; one-time Republican presidential contender John "Wayne" McCain; Vice President Al Gore; and, of course, Bill and Hillary Clinton and Monica Lewinsky. This political fable could have been nicely shortened if the author had left out his too many stories about his experiences in Hollywood and as a reporter for the Rolling Stone. Yet it is strongly recommended for public libraries as a painfully funny and all too excruciatingly real expos of Clinton's America.--Karl Helicher, Upper Merion Twp. Lib., King of Prussia, PA Copyright 2000 Cahners Business Information.
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